Emily Payne

Exhibits     CV/Docs     All Emily Payne     Altered book    Altered books    Drawing    Mixed media    Painting    Print    Sculpture   
Listing 180 Works   |   Viewing 133 - 144
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Emily Payne Emily Payne Level an altered book 2D work at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Level
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Emily Payne Emily Payne Line Dry 3 a painting on book board at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Line Dry 3
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Emily Payne Emily Payne Loop and 2D work from book boards with graphite in Art of the Book show at Seager Gray Galley in Mill Valley CA in the San Francisco Bay area
Loop
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Emily Payne Emily Payne Loop III a graphite on book boards artwork at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Loop III
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Emily Payne Emily Payne Molt 1 a wire sculpture at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Molt 1
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Emily Payne Emily Payne Molt 2 a wire sculpture at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Molt 2
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Emily Payne Emily Payne Molt 3 a wire sculpture at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Molt 3
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Emily Payne Emily Payne Notation an abstract wire and ceramic sclutpure at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Notation
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Emily Payne Emily Payne Notation a drawing in the negative space of a shadow on book boards with graphite at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Notation
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Emily Payne Emily Payne Light Visible an altered book and graphite work at Seager Gray Gallery in Mill Valley CA in the San Francisco Bay Area
Optical
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Emily Payne

Emily Payne

Emily Payne Biography


 

Emily Payne Description

Emily Payne was born in San Francisco and grew up in Mill Valley, California, and Amherst, Massachusetts. She went to Oberlin College where she studied English and Women’s Studies. Emily moved to San Francisco after college and studied figure drawing and oil painting. Her love of making sculptural things with paper led her to pursue an MFA in printmaking and book arts at San Francisco State University. In the midst of busy, often noisy classrooms, she anchored her concentration with heavy, low-tech but utterly reliable tools like the letterpress, the book press, and a beat-up wooden ceramics table she found abandoned in the corner of the sculpture lab. It became her makeshift studio space.

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